This is where I review, reflect, riff, and write. Some of what goes here flows out of or into my books and articles, my classes, and my recordings. Some of it doesn't.
I teach music at NYU and the University of Florida. I study the ways that ideology and music come together in structural form, social spaces, physical landscape, and political history. As of this initial entry, I've written one book (Assimilate: A Critical History of Industrial Music, forthcoming with Oxford University Press), and I've got a second one in the works for Continuum's 33 1/3 series.
My doctorate is in music composition and theory, and I've written about a lot of 20th-century art music, but as an act of public musicology, critique, and creativity, this blog will mostly grapple with various inflections of pop.
So let's get started.
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